Best Art Music Education Community Gathering Venues Around the World

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Sunday/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If y'all've ever taken an art history course or spent time in a fine arts museum, chances are you know a lot nigh the men who "defined" their mediums. As with other subjects, most of what we learn about art history today still centers on white men from Europe and, later, the Usa. In reality, there are and then many more artists of all genders to learn from and capeesh.

Hither, nosotros're specifically taking a expect at just some of the women who have had lasting impacts on their art forms. From some of the art world'south nigh iconic pioneers to its most unsung heroes, these women artists all had a hand — and, in some cases, still have a hand — in changing the earth of art and how we define it.

Laura Wheeler Waring

Laura Wheeler Waring's portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Eatables

Laura Wheeler Waring was an artist and educator who taught at Cheyney University in Pennsylvania for more 30 years. Afterward studying the work of painters like Cézanne and Monet while away, she returned to the United States, becoming best known for her portraits of prominent Blackness Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Two photographs from Cindy Sherman's Untitled Motion picture Stills (1977–lxxx). series. Photos Courtesy: Museum of Modern Art (MoMA)

Photographer Cindy Sherman was part of the Pictures Generation during the 1980s, and is perhaps most well known for her series of Untitled Film Stills (1977–80) — self-portraits in which Sherman "posed in the guises of various generic female person film characters, amongst them, ingénue, working girl, vamp, and lonely housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media's influence over our individual and collective identities.

Yoko Ono

A nevertheless from the performance Cut Piece, 1964, and a picture of the installation Half-A-Room, 1967, every bit seen at the Museum of Modern Art in New York City in 2015. Photos Courtesy: Museum of Modern Fine art (MoMA)

Y'all might outset think of Yoko Ono as a musician and activist, but she's too an accomplished functioning and conceptual artist. Ono was considered a pioneer in the performance art motion, earning the nickname the "Loftier Priestess of the Happening".

One of her most revered works, Cut Slice, was a functioning she first staged in Japan; Ono sat on phase in a squeamish adjust and placed scissors in front of her, and, in an act of daring vulnerability, invited audience members to come up on stage and cut away pieces of her clothing. "Art is similar breathing for me," Ono has said. "If I don't practice information technology, I start to choke."

Betye Saar

Betye Saar's Blackness Daughter's Window, 1969 (full and detail). Photos Courtesy: Museum of Modern Art (MoMA)

Before becoming a printmaker and activist, Betye Saar studied pattern and was employed as a social worker. A printmaking elective changed her unabridged career trajectory — and, in plow, part of the trajectory of fine art history.

Saar was part of the Black Arts Motion in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the play a trick on is to seduce the viewer," Saar has said. "If yous can get the viewer to look at a work of art, so you might be able to give them some sort of message."

Frida Kahlo

People await at Frida Kahlo'due south 1939 painting Las Dos Fridas at the World Forum of Culture in 2007, which was held in Mexico. Photo Courtesy: Alejandro Acosta/AFP/Getty Images

It's rare to find someone who hasn't at least heard of Frida Kahlo. A self-taught painter from Mexico, she is best known for exploring themes similar decease and identity through her self-portraits. Kahlo often used bold, vivid colors to create her symbol-rich works, and was regarded every bit 1 of the most influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs inside the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama'southward Infinity Mirrors exhibit at the Hirshhorn Museum Feb 21, 2017 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very immature age, but she'due south also known for her hyper-real sculptures, polka dots, installations, and then much more. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her enduring Mirror/Infinity rooms series, which apply mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Quondam First Lady Michelle Obama (L) and artist Amy Sherald (R) unveil Mrs. Obama's portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on February 12, 2018. Photo by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, often doing everyday activities — something that became more mutual in portraiture writ large in the mid-19th century. Odds are that you lot recognize Sherald'south piece of work — and her signature grayscale skin tones — equally she was the kickoff Black woman to complete a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a work from her serial, Pelvis Series Cherry-red With Yellow in Albuquerque, New United mexican states. Photo Courtesy: Tony Vaccaro/Getty Images

Known as the mother of American modernism, you likely associate Georgia O'Keeffe with her paintings of New Mexico's landscapes, flowers, skulls, and, just maybe, the skyscrapers of New York City. In the 1920s, she was the first woman painter to gain the respect of the New York fine art world, all by painting in her unique way.

Adrian Piper

Adrian Piper wins the Gilded Panthera leo for all-time artist in Okwui Enwezor'southward biennial exhibition All the Globe's Futures, part of the 56th Venice Biennale in 2015. Photograph Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual creative person in 1970s New York City. She used her work to question lodge, identity, and racial politics by demanding the audience to confront truths nigh themselves. She oftentimes challenged people on the streets of New York to approximate her race, socio-economical class, and gender — all while dressed as a Blackness human with a faux mustache and sunglasses, or while wearing compelling statements on her dress.

Shirin Neshat

Shirin Neshat'due south poses in front of a photograph in her exhibition Our Firm Is on Fire at the Robert Rauschenberg Foundation in New York City in 2014. Photo Courtesy: Cem Ozdel/Anadolu Bureau/Getty Images

Shirin Neshat left Islamic republic of iran in 1974 to study fine art in Los Angeles, California — earlier the Islamic republic of iran Islamic Revolution took place. She is best known for her photography, film, and video work, much of which explores the human relationship between Islam'due south cultural and religious systems and women. Moreover, Neshat's works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual artist, Jenny Holzer's work focuses on words and ideas, which she puts on advertisement billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that human action as meditations on various concepts, such as trauma, knowledge, and hope. 1 of her more than notable works, I Olfactory property Y'all On My Pare, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore's Fringe, 2008. Photograph Courtesy: Art Gallery of Ontario (Agone)

Much of Rebecca Belmore'southward fine art addresses identity and history — and, in particular, houselessness and the voicelessness of the Commencement Nations People in Canada. Every bit an Anishinaabekwe artist, she works to enhance sensation effectually the prejudice, violence, and attempted erasure of Ethnic Northward American culture. In 2005, she was the first Indigenous woman to correspond Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Bourgeois' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Bourgeois is amend known for her installation art and sculptures — like the spider above — which were inspired by her own experiences and memories. Throughout her career, she created revolutionary works during a time when abstraction and conceptual art were the main styles shaping the art earth.

Mickalene Thomas

Mickalene Thomas' A Niggling Sense of taste Outside of Beloved, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced past popular culture and pop art, Mickalene Thomas often embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody ability and femininity.

Judy Chicago

Judy Chicago's seminal piece of work The Dinner Party. Photo Courtesy: Brooklyn Museum

Judy Chicago was 1 of the major figures within the early Feminist Art motion. As exemplified in her iconic work The Dinner Party, her installation pieces often examine the role of women in history and culture — in the 1970s and before. While at California Land Academy in Fresno, Chicago founded the first feminist art program in the United states of america.

Augusta Savage

Augusta Fell with ane of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Archives of American Art/Wikimedia Commons

Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In addition to creating scenic sculptures, oftentimes of Blackness folks, Savage founded the Savage Studio of Arts and Crafts in Harlem in 1932, and, a few years later, she became the first Black American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photograph Courtesy: Museum of Mod Art (MoMA)

Known for her provocative performance art practices, Carolee Schneemann is considered the progenitor of "torso art". (Just look up her about famous piece of work, Interior Scroll, and you lot'll see what we mean.) She used her trunk to examine women'south sensuality and liberation from the oppressive aesthetic and social conventions established by our patriarchal society.

Nan Goldin

Nan Goldin'due south Christmas on the Other Side, Boston, 1972. Photograph Courtesy: Wikimedia Eatables

Famous for her in-the-moment photography, Nan Goldin's work challenges traditional power relations. In addition to documenting New York City's queer subculture mail service-Stonewall, Goldin explored the HIV/AIDS crunch, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol'south Marilyn Monroe (1967) past Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this look like an Andy Warhol to y'all? Well, that'southward the thought! Elaine Sturtevant, who went by her last name professionally, was a conceptual artist known for her inexact replicas — that is, not-quite-correct copies of large-name artists' work.

Some artists and critics encouraged her efforts, while others became quite aroused. Notwithstanding, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of fine art culture.

Ruth Asawa

Various hanging sculptures by Ruth Asawa at the De Young Museum in San Francisco. Photograph Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly circuitous wire sculptures. A San Francisco-based artist, Asawa'due south final public committee was the Garden of Remembrance at San Francisco Land University, which was created to recognize Japanese Americans who were interned during Earth War Two.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November 8, 2007 in New York Metropolis. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a photographer since the age of ix. She uses her photography to examine social norms, and, in doing and so, displays various subcultures in formal portraits — but in a way that conveys power and respect past evoking traditional Renaissance portraiture.

micha cárdenas

Yet from Sin Sol (No Sun) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, author, theorist, and assistant professor who won an Impact Award at the Indiecade Festival in 2020 and the Creative Award from the Gender Justice League in 2016. She believes education is the path to liberation and uses VR and art to address global issues such every bit racism, gendered violence, and climatic change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who also specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and aggregation to her portraits and murals for the Works Progress Assistants (WPA).

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